ROCK, RAGE & SELF DEFENSE: AN ORAL HISTORY OF SEATTLE’S HOME ALIVE

Rock_Rage_SD_BannerROCK, RAGE & SELF DEFENSE: AN ORAL HISTORY OF SEATTLE’S HOME ALIVE
Dir. Leah Michaels and Rozz Therrien, 2013
USA, 60 min.

MONDAY, MAY 12 – 7:30 PM
Filmmakers Leah Michaels and Rozz Therrien in attendance! This screening will be followed by a Q&A with the filmmakers and a panel with local writers, artists and activists Rebecca Andruszka, Laina Dawes, Mikki Halpin and Tracy Hobson, moderated by the filmmakers.

Screenings also on:

FRIDAY, MAY 23 – 10:00 PM
MONDAY, MAY 26 – 8:00 PM

Special thanks to Mikki Halpin.

With no background in filmmaking but wholly inspired to share the story of a grassroots, self-defense collective called Home Alive, Leah Michaels and Rozz Therrien fund-raised about $10,000 to make the documentary ROCK, RAGE & SELF DEFENSE: AN ORAL HISTORY OF SEATTLE’S HOME ALIVE. While students at the University of Washington in a class called “Making Scenes, Building Communities: Girls and Boys Play Indie-Rock,” Therrien and Michaels were assigned to build oral histories on two women, Cristien Storm and Zoe Abigail Bermet, founding members of Home Alive. While researching for their projects, they found there was almost no background information on Home Alive, except that it was formed in the wake of Mia Zapata’s murder.

Therrien: It was just “this woman was murdered and some of her friends got together.” There was no sense on how the community responded outside of her friends, and how it felt during that time. This is what we got when we did a general Google search and through Wikipedia. There was nothing about the theory or how they approached self-defense.

Michaels: There was no real information out there so when we had these interviews, both women were incredibly amazing and honest in their personal histories and about Home Alive. I think that both of us were both shocked and inspired and also a bit confused as to how we both didn’t know about it. We were like, “How is this not a huge thing? How did people not really know about this at all?”*

In the aftermath of the brutal rape and murder of Mia Zapata, soulful lead singer of popular punk rock band The Gits, a group of Zapata’s friends with other women in the Seattle arts and music community formed Home Alive, a collective turned non-profit that provided free or low-cost self defense classes. Home Alive was originally formed as a direct response to what happened to Zapata and an outlet for the grief, fear and rage of the people close to her. For the larger community, the collective served as an empowering and politicizing support network and a practical way to increase a sense of safety for women in the scene.

People shared stories and fears of stranger assault, but just as importantly, about other forms of violence as well. Childhood sexual abuse. Date rape. Intimate partner violence. Street harassment. It soon became evident that all these abuses were connected. The talk turned to ways to keep themselves and their communities safe.

The women tried out the self defense classes they could find locally, and found them lacking. First, they were expensive; second, they offered restrictive rules that the women experienced as unhelpful and unrealistic. For musicians and artists, for people employed as bartenders or sex workers, for those without safe and reliable housing, it wasn’t useful to be told to dress conservatively and never walk alone at night. They realized that if they wanted relevant, affordable self defense training, they’d have to create it themselves. (From Home Alive’s website)

Though they dissolved as a non-profit in 2010 due to financial ups-and-downs, Home Alive continues to operate once again as a volunteer collective, providing classes at high schools and various organizations. They also provide their entire curriculum through their website.


PANEL PARTICIPANTS

REBECCA ANDRUSZKA is Chair of the board of directors of RightRides for Women’s Safety, which was founded 10 years ago by two women who decided to offer safe rides in direct response to assaults on women walking home by themselves late at night in northern Brooklyn. Currently on hiatus, RightRides is in strategic planning mode and seeking community feedback.

Rebecca is currently in a senior development position at a national advocacy organization, an active Activist Councilmember at Planned Parenthood of NYC Action Fund, and a regular volunteer for other local social justice organizations. She also authors monthly columns at The Daily Muse and ProfessionalGal about working in the non-profit sector.


LAINA DAWES is the author of What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal (Bazillion Points Books, 2012). A music and cultural critic and concert photographer, her writings and photography can be found in various print and online publications such as Wondering Sound, Noisey, Flavorwire, MTV Iggy, NPR, The Root, The Wire UK, Bitch and Metal Edge magazine. She also runs the blog Writing is Fighting and is a contributing editor for Blogher.com’s Race & Ethnicity section.

An accomplished public speaker, she has been a guest lecturer at colleges and universities and spoken at music and academic conferences in both the United States and Canada. Laina is currently a graduate student in the Liberal Studies department at the New School for Social Research in New York City.


MIKKI HALPIN is a writer, zine maker, and activist who supports independent feminist filmmaking. Halpin is the author of It’s Your World – If You Don’t Like It, Change It: Activism for Teenagers and The Geek Handbook. Halpin writes mainly on culture, pop culture, and politics and has contributed articles to numerous publications including Teen Vogue, Glamour and Wired. She is currently working on a new edition of The SCUM Manifesto by Valerie Solanas with The Feminist Press. More information is available at her website: http://mikkipedia.net/


TRACY HOBSON is the Executive Director of the Center for Anti-Violence Education. Ms. Hobson joined CAE as Board Co-chair in 2004, and stepped into her current role as Executive Director in 2005. In 2009, Ms. Hobson received a commendation from the Brooklyn Borough President in honor of Pride Month, for her leadership of CAE and the organization’s vital role in Brooklyn’s vast LGBT community. In the same year, she was also honored by LAMBDA Independent Democrats for contributions to Brooklyn’s LGBT community. In 2012 Tracy received a commendation from NYC Comptroller John C. Liu for bringing change to the lives of New Yorkers affected by violence.

Previously, as Assistant Vice President within Diversity & Inclusion at Credit Suisse, Tracy created Employee Networks for women, people of color, working parents, and LGBT individuals. Other key accomplishments include adding sexual orientation and gender identity to the nondiscrimination policy, and providing domestic partner benefits to all employees globally. Tracy is a graduate of Smith College. She has also completed the Middle Management Program at Columbia Business School’s Institute for Not-For-Profit Management. At CAE, Tracy has trained in goju karate for fifteen years and in tai chi for five years.


ABOUT THE FILMMAKERS
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LEAH MICHAELS is a graduate of the University of Washington where she received her B.A. in History. Now based in Baltimore, Michaels has been working on completing her first film with co-creator Rozz Therrien. Michaels hopes the film will honor the story of Home Alive, and inspire the use of art with community action as a means to counter the culture of violence.

ROZZ THERRIEN is a recent graduate from the University of Washington where she majored in American Ethnic Studies. Now based in Boise, she has spent the past two years working on her first film with co-creator Leah Michaels. As the film reaches completion, Therrien hopes the film’s message of community organizing will inspire a stronger sense of social responsibility. Therrien looks forward to exploring other avenues of D.I.Y. filmmaking and combining her passions of travel and film.

http://homealivedocumentary.tumblr.com/

ROCK, RAGE & SELF DEFENSE premiered in October of last year at the Musicians for the Equal Opportunities for Women (MEOW) Conference in Austin, Texas, and Spectacle is very excited to bring it to Brooklyn!

*Excerpt from an interview with Laina Dawes in Bitch Magazine. Read it here.

AN EVENING WITH RUMI MISSABU (UNCLE BOB & SHORTS)

uncle_bob_bannerUNCLE BOB
Dir. Robert Oppel, 2010
USA, 78 min.

ONE NIGHT ONLY! WITH RUMI MISSABU IN PERSON!
FRIDAY, APRIL 25 – 8:00 PM

Rumi Missabu of the Cockettes returns to the east coast with a handful of new short features and the full-length documentary Uncle Bob. Produced by Rumi and Abel Ferrara, Uncle Bob is an examination of photographer and gay rights activist Robert Opel as directed by his nephew Robert Oppel (Opel dropped a p from his last name to protect his family). Best known among trivia buffs for streaking during the 1974 Academy Awards show, Uncle Bob examines Opel’s involvement in the San Francisco art scene (he ran a gallery called Fey-Way, produced stage plays with Divine and became friends with Robert Mappelthorpe and Tom of Finland, all of whom are interviewed in the film), his struggle for gay rights (particularly the rights of gay teachers) and his murder during an alleged robbery of his gallery. Robert Oppel investigates multiple scenarios surrounding his uncle’s murder, and by examining both his death and his life, succeeds at providing a glimpse into both his uncle’s life and the climate of San Francisco during the seventies.

SCREENING WITH THE FOLLOWING SHORT FILMS:

* TIP-TOE PAST THE WITCH (work in progress currently in production) from director/animator Kimba Anderson. Running time approx 3-5 minutes

* RUMINATIONS (work in progress currently in production) from director Robert James and Thedore Nguyen. Running time approx 3-5 minutes

* I SCARE MYSELF (music video) co-directed by Rumi Missabu and Mister WA. Running time approx 5 minutes

* ELEVATOR GIRLS IN BONDAGE (teaser/trailer) directed by Michael Kalmen. Running time approx 3 minutes. I have a sparkling new DVD addition of the film lipstick-kissed and autographed for sale.

GETTING HIGH ON HIV MEDICATION (with Hamilton Morris!)

ham_banner_3GETTING HIGH ON HIV MEDICATION
Dir. Hamilton Morris
USA, 30 min.

ONE NIGHT ONLY!
THURSDAY, APRIL 10 – 10:00 PM
Hamilton Morris in attendance!

Hamilton Morris presents his newest documentary for Vice, GETTING HIGH ON HIV MEDICATION.

“In 1998, the antiretroviral drug efavirenz was approved for treatment of HIV infection. Though the drug was highly effective, patients soon began to report bizarre dreams, hallucinations, and feelings of unreality. When South African tabloids started to run stories of efavirenz-motivated rapes and robberies, scientists began to seriously study how efavirenz might produce these unexpected hallucinogenic effects . Morris travels to South Africa to interview efavirenz users and dealers and study how the life-saving medicine became part of a dangerous cocktail called “nyaope.” – Vice.com

AN EVENING WITH LIGHT IN THE ATTIC RECORDS

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AN EVENING WITH LIGHT IN THE ATTIC RECORDS
Approx. 90 min.

ONE NIGHT ONLY!
WEDNESDAY, APRIL 16 – 8:00PM & 10:00 PM

Spectacle is beyond thrilled to team up with the incomparable reissue record label Light In The Attic Records for an evening of rare and wonderful works!

Highlights include a collection of original short docs on Light In The Attic artists Donnie and Joe Emerson, National Wake, and Jim Sullivan- PLUS surprise shorts and music videos!

We’ll cap off the festivities off with an exclusive screening of the cult favorite film Cowboy In Sweden featuring the legendary Lee Hazlewood! The film- originally a 1970 Swedish TV special- is now fully restored and remastered in HD and plucked directly from LITA’s lavish box set There’s A Dream I’ve Been Saving, a box set commemorating the complete legacy of Lee Hazlewood Industries from 1966-1971.

“…the film must have been exceedingly surreal, since the record exists in its own space and time. At its core, it’s a collection of country and cowboy tunes, but the production is cinematic and psychedelic, creating a druggy, discombobulated sound like no other. This is mind-altering music — the combination of country song structures, Hazlewood’s deep baritone, the sweet voices of Nina Lizell and Suzi Jane Hokom, rolling acoustic guitars, ominous strings, harpsichords and flutes, eerie pianos, and endless echo is stranger than outright avant-garde music…” –Stephen Thomas Erlewine, allmusic.com

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AGGROBATICS

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AGGROBATICS
A LIVE SCORE BY NICK LESLEY
VIDEO BY JON DIERINGER
2014. 40 min.

ENCORE PERFORMANCE!
WEDNESDAY, JUNE 25 – Sets at 8 PM & 10 PM


GET STOKABOKA WITH SOME SHRALPING AGGROBATTICS ON FOFFING MACKERS. IN THAR!

Despite torrential rains, our premiere performance/screening of AGGROBATICS was a huge hit. For those unable to attend, stranded by the weather, or looking to mainline a second (or third) trip, we’re pleased to offer this special encore show.

For this very special evening, Spectacle is pleased to welcome Nick Lesley (Necking, Alien Whale, Gunung Sari, Felicia & Coctopus, Oma Yang, Prsms) for a unique live score experience. AGGROBATICS comprises a live performance by Lesley and Jon Dieringer’s two-channel flickerfilm mashup of dueling street surfers and wave riders from the films Thrashin’ (1986) and North Shore (1987). Astute Spectatoes will note these are essentially the same film, only one is ostensibly about skateboarding, and the other, surfing. But essentially, they are both really about the romantic notion of a dim forecast of limited options pitched against endless sunsoaked yearning to be free and fuckin’ ride. And to make it with babes. In its mind-mashing synaptic rush and ecstatic synthesis of sound and screen, this is what AGGROBATICS articulates. Consider it brain candy on waves and wheels.

TRIGGER WARNING: Tonight is not for anyone afraid of big hair, killer waves, high-hip swimwear, headbands, pastels, and, above all, intensely flashing images thereof.

EXPERIMENTS BY KELLY SPIVEY

Kelly.Spivey_BannerONE NIGHT ONLY! FILMMAKER IN ATTENDANCE!
SATURDAY, APRIL 19 – 7:30 PM

Artist and experimental filmmaker Kelly Spivey recombines layers of found footage and original material through contact and optical-printing to create rhythmic, complex and exquisitely hand-crafted films. For this one-night-only special event, Spivey will present her work in-person on 16mm, super8mm and video.

Spivey’s careful gathering of found imagery and sounds, her stop-motion and paper cut-out animations, and her meticulously constructed loop-based soundtracks feel like journeys through the heart of collage itself. Her films explore themes like class, gender roles and science, but by constantly redirecting our attention back to film’s physicality and textural weight, they also thoughtfully contemplate filmic images, in general, about class, gender roles and science, among other things. The feeling of simultaneity is thrilling and strikingly evocative.

STEIN’S COW
Dir. Kelly Spivey, 2000
USA, 3 min, super 8mm

Stein’s Cow is a short experimental animated film using Xerox cut-outs. Stein’s Cow is a visual play on the usage of the word “cow” in Gertrude Stein’s love poetry. Theorists believe Stein used the word “cow” symbolically in place of the word “orgasm” in her writing. Was this an attempt at hiding the lesbionic nature of her writings, or a playful, inventive re-assignment for the somewhat medical sounding “orgasm?”

WHY YOU WERE BORN
Dir. Kelly Spivey, 2001
USA, 6 min, super 8mm

A Kodachrome super 8 animation that utilizes found images delicately cut from magazines from the 1940s-70s. A hand-held camera creates agitation and a frenetic frame speed penetrates women’s roles shown in advertising, shattering them and offering humorous feminist solutions.

KEEP UP WITH MEDICINE
Dir. Kelly Spivey, 2001
USA, 3 min, super 8mm

Animating vintage advertising images cut from magazines, this film makes a connection between gender roles, societal pressures and our need medicate. Getting shots, popping pills, and curing ills are practices examined and put under the micro-lens of my super 8mm camera. The results of this medical exam are alternative routes to health and wellbeing.

WHAT IF THE WORLD LOVED CELLULITE?
Dir. Kelly Spivey, 2000
USA, 6 min, super 8mm

Join a familiar icon in a world where the beauty ideal has taken a turn. Dimpled thighs and rounded bellies are what this doll is after. How will she attain her desired physique? What’s a skinny girl to do? Find out how this broad finds happiness in this animated short originally shot on super 8 kodachrome.

POOR WHITE TRASH GIRL: CLASS CONSCIOUSNESS
Dir. Kelly Spivey, 2003
USA, 6 min, 16mm

A semi-autobiographical animation based on the life of a poor white girl who lives amidst Fisher Price Little People.

ME, MYSELF & I
Dir. Kelly Spivey, 2003
USA, 3 min, 16mm

Using paper dolls, magazine cutouts, and vintage valentines, this film plays with ideas of metamorphoses, gender variance, narcissism, and, somewhat subliminally, President George W. Bush.

MAKE THEM JUMP
Dir. Kelly Spivey, 2009
USA, 11 min, 16mm

Optically printed from snippets of discarded educational films including a bullfrog-jumping contest, a story of a child in a Harlem project who finds an abandoned duck, and a girl whose best friend is a cow. Repetition, time and sound manipulation, and not least of all – humor, all reside within the film frames of this project. Inspired by the Rachel Carson quote: “It is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility,” the film digs frame-by-re-photographed-frame for the underlying, yet now tenuous beauty in nature and our awkward, yet increasingly poignant relationship with animals.

A VISUAL GUIDE TO PHYSICAL EXAMINATION
Dir. Kelly Spivey, 2011
USA, 6 min, 16mm

Contact printed using an amateur machine, the Uhler Cine Printer, this film was created using spliced loops of my own camera original film mixed in with found footage film that describes how to give a breast exam. The audio was also printed from found optical sound loops. All of this footage was handprocessed and solarized. The result is a semi-horror-meditation on the gender binary and negative/positive space.

FISH UNDER DELANCEY
Dir. Kelly Spivey, 2006
USA, 26 min, 16MM

“Traveling from Flushing to Manhattan via the subway, as well as throughout NYC, I became entranced by the tile murals that line many subway platforms. The tunneling of the subways through bedrock and beneath the city, the people who ride the subway, the sound of a screeching train, and the slogan, “If you see something, say something” inspired this stop-motion, eavesdropping, dreamlike journey film. The film also follows the poet and writer Eileen Myles on parts of the journey.”

Individual film descriptions courtesy of Kelly Spivey.

SMASH TV: GUNSLINGER + B Sides

smashtv_bannerGUNSLINGER
Smash TV, 2014
USA, 62 min. (plus extras!)

ONE NIGHT ONLY! WORLD PREMIERE!
FRIDAY, APRIL 18 – 7:30 & 10:00 PM

Ben and Brendan of Smash TV return to Spectacle with the premiere of their newest epic – GUNSLINGER! Clocking in at a beastly 62 minutes, this is Smash TV’s longest endeavor to date. With over 3,000 cuts corralled from about 50 different Westerns highlighting, celebrating, and lampooning the many tropes of the genre! If you’ve been out for any of our past evenings with Smash TV, you know they are are a sight to behold, a feast for the senses. Most of the senses, anyway. At least two of them. You can check out the full versions of SKINEMAX and MEMOREX while amping yourself up for GUNSLINGER.

The presentations at 7:30 and 10 will be accompanied by various extras and b-sides, influences and inspirations also cooked up for this event.

Spectacle is thrilled to welcome Smash TV back for another year-in-the-making brain-melter!

More or less information at supersmashtv.tumblr.com & vimeo.com/supersmashtv

CONCERNING VIOLENCE: NINE SCENES FROM THE ANTI-IMPERIALISTIC SELF-DEFENSE

conviolence_bannerCONCERNING VIOLENCE: NINE SCENES FROM THE ANTI-IMPERIALISTIC SELF-DEFENSE
Dir: Göran Olsson, 2013
Sweden, Finland, Denmark, US, 85 min.

ONE NIGHT ONLY! SPECIAL PREVIEW SCREENING FOR SPECTACLE MEMBERS!
TUESDAY, MARCH 11 

With assistant director Sophie Vukovic in attendance for a Q&A!

Franz Fanon’s The Wretched of the Earth was published in France a month after his death in 1961, in the final year of the Algerian struggle for independence from France. In it, he diagnosed the condition of the colonized peoples of the Third World as an existence shaped by the continuous and systematic violence of colonial administrations, European settlers, and global capitalism, which exercise their violence through their police, military, and judicial apparatuses. Göran Olsson, the Swedish found-footage documentarian who made The Black Power Mixtape: 1967-1975 three years ago, has created a film adaptation of Fanon’s book, using archival footage from the vaults of various Scandinavian television stations. Lauryn Hill reads selections from the first section of The Wretched of the Earth over footage gathered during the national liberation struggles in Angola, Zimbabwe, Mozambique, Guinea-Bissau, and Burkina Faso in the ’60s, ’70s, and ’80s. The images are used to illustrate Fanon’s theses about the nature of colonialism, such as his definition of it as a primordial violence that will only yield when confronted with greater violence: “this narrow world, strewn with prohibitions, can only be called in question by absolute violence.”

Tuesday March 11, Spectacle is proud to welcome the film’s assistant director Sophie Vukovic, who will introduce an exclusive preview screening of CONCERNING VIOLENCE and answer questions from the audience.

EVERYTHING IS TERRIBLE presents: THE RISE AND FALL OF GOD

EIT_bannerTHE RISE AND FALL OF GOD
Dir. Everything is Terrible!, 2013
USA, 60 min.

ONE NIGHT ONLY!
SATURDAY, MARCH 8 – 10 PM & MIDNIGHT!

In our short time on this planet, Spectacle has played host to a veritable Who’s Who of Who On Earth? type guests – bodybuilding computer hackers, stop-motion royalty, literal Oscar winners, sonic gurus, political revolutionaries, etc. – and now, we can add one more to that list as we welcome the found footage titans of EVERYTHING IS TERRIBLE! for the New York premiere of their cut-and-paste sermon THE RISE AND FALL OF GOD!

Followed by a special EIT! Midnight Mass the likes of which you have never seen!

Join us for an evening of deep spiritual reflection as we examine the apocalypse, eternal punishment, images of the divine in everything from snack food to slop buckets. EVERYTHING IS TERRIBLE! takes the wheel for an entire evening of guilt and death bed recanting.

See you in Hell.

Everything Is Terrible! is this world’s only psychedelic found footage comedy website that tours the earth with face-melting live shows that include puppets, Jerry Maguires stacked to the heavens, and adoring cloaked followers begging EIT! for more!

Find DVDs, the Daily Terrible, and more at everythingisterrible.com

CARL STONE AND JONATHON ROSEN (LIVE)

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SUNDAY MARCH 9 – ONE NIGHT ONLY – 8:30 PM

LIMITED CAPACITY – DOORS AT 8 PM – PLEASE NOTE DAYLIGHT SAVINGS TIME

Spectacle Theater and Unseen Worlds present a rare, intimate audiovisual performance by composer Carl Stone and artist Jonathon Rosen. Experience the evocative, inspired practices of Stone and Rosen up close and personal in a risky improvisational setting within the cozy bare-bones Spectacle vibe.

Carl Stone is internationally considered a pioneer in live computer music. In addition to widespread recognition in new music and media arts circles, his acclaimed electro-acoustic compositions have run through film, choreography, radio, theater, and all streams in between. Collaborators have included Nels Cline, Min Xiao-Fen, z’ev, Aki Takahashi, and Otomo Yoshihide. He is on the faculty of the Media Department at Chukyo University, Japan.

Jonathon Rosen’s award-winning work in static and moving pictures have appeared everywhere from The New York Times and Popular Science, to work for The Residents, Tim Burton’s SLEEPY HOLLOW, the PS1 ANIMATIONS show, as well as videos for and performances with Tom Recchion of the legendary Los Angeles Free Music Society. His books INTESTINAL FORTITUDE and THE BIRTH OF MACHINE CONSCIOUSNESS are part of the permanent collection at the Metropolitan Museum of Art. Rosen teaches in the undergraduate illustration, cartooning & MFA Visual Narrative Departments of the School of the Visual Arts, NYC.

This is their first collaboration outside of LA’s famed Anti-Club, where they played together in the 1980’s.

Unseen Worlds is a Brooklyn-based record label releasing quality editions of unheralded and revolutionary avant garde music, including the work of Laurie Spiegel, “Blue” Gene Tyranny, and Lubomyr Melnyk.

http://www.sukothai.com/
http://jrosen.org/
http://www.unseenworlds.net/