DECADES OF DEBRIS (fka BENJI’S WORLD)

This fall, Spectacle embarks on a mission nearly ten years in the making: honoring the opinions of one Benjamin Pequet, the mild-mannered Belgian you may have seen sitting between two craft IPAs at your favorite (or least-favorite) screening. Of course Benjamin is not the only Spectacle diehard, but his years of loyal service and stubborn refusal to cross the patron-volunteer threshold have made him a kind of arbiter of taste (or human Richter scale) for Spectacle programming.

After months of feverish discussion with Benjamin, we’re thrilled to kick off this monthly carte blanche series with a special one-night Friday the 13th event honoring the enigmatic Twitch streamer and bricolage-r of the audiovisual unknown who calls himself FORGOTTEN_VCR.

Then, later in October, join Benjamin for two films by Soda Kazuhiro, building off of our 2019 retrospective: his breakout 2008 documentary MENTAL, followed by the little-screened sequel documentary ZERO. Both shows will be followed by a remote Q+A with Soda and his producer Kashiwagi Kiyoko, guided if not moderated by Benjamin Pequet.

AN EVENING WITH FORGOTTEN_VCR

FRIDAY, OCTOBER 13 – 7:30PM and 10PM followed by remote Q+A with FORGOTTEN_VCR
ONE NIGHT ONLY!

GET TICKETS HERE!

(These events are $10.)
Stay inside. Watch TV. 
 
The mysterious St. Louis, MO-based university professor FORGOTTEN_VCR (who prefers to just go by “VCR”) came to Benjamin Pequet’s attention during the COVID-19 lockdowns of spring/summer 2020, when he began showcasing original music videos (which cut an entire feature film down to fit a specific song) on his Twich stream, as well as homemade mixtapes drawing from abandoned VHSes. Here’s the thing: VCR edits his work entirely on VCR. Here’s how he explained it to PC Gamer in 2020: “When I have this VCR and you hear it and see the little icon that says ‘play’ and ‘stop’ and all that, it immediately makes it feel like ‘I have to be here. This is on a tape.’ It’s part of the look of the stream.”

Ninja cinema, fossilized technology, toy commercials, moment of impossible promise from the dawn of the computer age: it’s all here. For ONE NIGHT ONLY, join Benjamin on a brain-breaking odyssey into this misunderstood and much-neglected analog cosmos that is FORGOTTEN_VCR.

MENTAL
(精神)
dir. Soda Kazuhiro, production associate Kashiwagi Kiyoko . 2008.
135 mins. Japan.
In Japanese with English subtitles.

SATURDAY, OCTOBER 28 – 5 PM with Soda Kazuhiro and Kashiwagi Kiyoko for remote Q+A

ONE NIGHT ONLY!

(This event is $10.)

GET TICKETS HERE!

After being diagnosed with “burnout” at the end of too many grueling work weeks, Soda became fascinated by alternative means of mental health treatment. MENTAL is a portrait of an outpatient psychiatric clinic called Chorale Okayama, founded by one Dr. Masatomo Yamamoto – the protagonist of the film, an elderly doctor working for essentially nothing. Chorale Okayama serves people with incurable mental disorders, who Yamamoto essentially believes can be nevertheless helped by a sympathetic community of listeners.Soda structured MENTAL so that viewers would will feel like they’re stepping into the clinic just like he did for the first time, unaware of what he would find. It’s not the easiest film in his body of work to watch but is nevertheless an act of courage, looking beyond what the filmmaker calls “the invisible curtain” that separates the well from the unwell (a questionable dichotomy to begin with.) As Soda speaks with Yamamoto’s patients about their lives, struggles, hallucinations and dreams, MENTAL becomes an extraordinary cross-examination of taboo in Japan, to say nothing of the accumulated costs of trauma and, finally, the documentary form’s inherent potential for compassion.

 

ZERO
(精神0)

dir. Soda Kazuhiro, production associate Kashiwagi Kiyoko. 2019.
128 mins. Japan.
In Japanese with English subtitles.
SATURDAY, OCTOBER 28 – 8PM followed by remote Q+A with Soda Kazuhiro and Kashiwagi Kiyoko
ONE NIGHT ONLY!
This event is $10.

GET TICKETS HERE!

At the age of 82, Dr. Yamamoto  is suddenly retiring from the clinical field, causing a lot of anxiety for many of his patients who have been relying on him as their lifeline for many years. Now he needs to spend time to care for his wife Yoshiko. In early spring, Dr. Yamamoto and Yoshiko embark on a new life, facing challenges they never faced before.

“Shooting Dr. Yamamoto, a self-described workaholic, I immediately felt that for him, mental healthcare was his life. His work defined who Masatomo Yamamoto was. It gave him a reason to live. And he was about to let that go. When Yamamoto becomes just a human being without a title or role as a doctor, how will he live? Being a workaholic myself, I was really curious. The path he is about to take is the one I will need to take one day. It is actually a universal path that many people must experience some day.

While I was shooting Yamamoto with such a point of view, another protagonist emerged: Yoshiko Yamamoto, his wife. The film turned out to be about the couple rather than the doctor. As a result, I unexpectedly made a film about ‘pure love.'” – Kazuhiro Soda