TIE/BREAKER

TIE/BREAKER

Posted on by Kellen Dye

TIE/BREAKER
dir. Marc Andelman, Andre Puca, 2015
83 min, USA

ONLINE TICKETS

SATURDAY, JUNE 04 – 10:00 PM
FRIDAY, JUNE 10 – 7:30 PM (Q&A)
SATURDAY, JUNE 18 – 11:55 PM
WEDNESDAY, JUNE 22 – 10:00 PM

Marc is unemployed and stuck living at home with his obese, cantankerous father, Gerry. Half senile, Gerry will say and do anything to get his way, ordering his son around like hired help. When college friend Andre invites Marc to a party in Manhattan, he leaps at the chance to ditch his dad and have a little harmless fun. But Gerry insists on tagging along. Spouting misanthropic wisdom when he isn’t singing his favorite golden oldies, Gerry challenges Marc to walk a mile in his shoes. What follows is a gross comedy of errors filled with hostile drinking games, inelegant ballroom dancing and plenty of unpacked emotional baggage. This failure to come of age tale proves there’s no good way to break a tie.

JANE: AN ABORTION SERVICE

Posted on by smacfarlane

JANE: AN ABORTION SERVICE
dirs. Kate Kirtz and Nell Lundy, 1996
58 mins. United States.
In English.

ONLINE TICKETS

TUESDAY, JUNE 7 – 7:30 PM
MONDAY, JUNE 20 – 7:30 PM

100% of ticket sales will go to Access Reproductive Care – Southeast, an Atlanta-based service providing financial and logistical support for those in need of abortions in six southeastern states.

This fascinating political look at a little-known chapter in women’s history tells the story of “Jane,” the Chicago-based women’s health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training.

playing with

WITH A VENGEANCE: THE FIGHT FOR REPRODUCTIVE FREEDOM
dir. Lori Hiris, 1989
40 min, United States.
In English.

This urgent and timely film is a history of the struggle for reproductive freedom since the 1960s, reflecting the wider history of the contemporary women’s movement. WITH A VENGEANCE is an empowering look at the strength and breadth of the current women’s movement which asks why current battles resemble those of the 60s. Rare archival footage and interviews with early abortion rights activists, including members of Redstockings and the JANE Collective, are intercut with young women who testify to the need for multi-racial grassroots coalitions. Flo Kennedy and Byllye Avery exemplify African American women’s roles as leaders, making connections between racism, reproductive freedom and healthcare for the poor.

Special thanks to Women Make Movies.

CHRIS KRAUS SHORT FILMS

Posted on by Kellen Dye

ONLINE TICKETS

THURSDAY, JUNE 02 – 10:00 PM
FRIDAY, JUNE 10 – 11:55 PM
MONDAY, JUNE 13 – 7:30 PM
SATURDAY, JUNE 25 – 7:00 PM (Q&A)

Spectacle presents a selection of short films directed by Chris Kraus, author of I Love Dick, Summer of Hate, Torpor, Aliens and Anorexia, and Video Green, and co-editor of Semiotext(e).

Kraus gained prominence over the last two decades for her ability to cultivate a sense of empathy while telling her life stories and those close to her. Prior to becoming an author, Kraus was a filmmaker who was immersed in New York’s 1970s avant-garde film scene. For Kraus, it was a challenging time to be a filmmaker — she often alluded to feeling ‘pathetic’, struggling to get recognized, and being in the shadow of others. Her films explore many of the same themes that she would later elaborate on as an author (rewriting the history of controversial figures, raising feminist consciousness, and self-exploration).

FOOLPROOF ILLUSION
dir. Chris Kraus, 1986.
17 min.

A film with different acts that illustrate Kraus’s humorous, confessional style of writing and dialogue.

TRAVELING AT NIGHT
dir. Chris Kraus, 1990.
11 min.

A field trip to a deconsecrated Wesleyan Methodist Church in Darrowsville, New York.

HOW TO SHOOT A CRIME
dir. Chris Kraus, Sylvère Lotringer, 1987.
28 min.

Intimately collages scenes of murder, blight, and wisdom from sex workers.

THE GARDEN BOWL or REPRESSION
dir. Chris Kraus, 1990.
12 min.

A moody, atmospheric short reminiscent of a Nan Goldin photograph.

IN ORDER TO PASS
dir. Chris Kraus, 1982.
26 min.

A grainy, conceptual play on imagery and dialog between people in classrooms, filled with text-turned-art.

AROUND SPACE: WORKS BY THERESA HAK KYUNG CHA, SUJIN LEE, AND JESSE CHUN

Posted on by smacfarlane

ONLINE TICKETS

SUNDAY, JUNE 19 – 5 PM & 7:30 PM
ONE NIGHT ONLY!

“Her movements are already punctuated by the movement of the camera, her pace, her time, her rhythm. You move from the same distance as the visitor, with the same awe, same reticence, the same anticipation. […] All along, you see her without actually seeing, actually having seen her. You do not see her. For the moment, you see only her traces.” – Theresa Hak Kyung Cha, Dictee

Wendy’s Subway and Electronic Arts Intermix (EAI) are pleased to collaborate with Spectacle on a one-night-only screening of film and video works by Theresa Hak Kyung Cha, alongside works by Sujin Lee and Jesse Chun, artists influenced by her practice.

This program is a part of Wendy’s Subway’s The Quick and the Dead, a yearlong, multi-phase project that bridges the life, work, and legacy of a deceased writer to those of contemporary practitioners. In its third year, the program focuses on Korean American artist Theresa Hak Kyung Cha (1951–1982), and considers her profound interventions in film and video, historiography, language and translation, and autobiographical writing. Cha’s exploration of the porousness between artistic mediums leaves indelible marks on contemporary art, especially film and video.

Program:

THERESA HAK KYUNG CHA PROJECT
dir. Sujin Lee, 2015
24:28 mins. South Korea.

술래 SULLAE
dir. Jesse Chun, 2020
6:25 mins. United States.

MOUTH TO MOUTH
dir. Theresa Hak Kyung Cha, 1975
8 mins. United States.

PERMUTATIONS
dir. Theresa Hak Kyung Cha, 1976
10 mins. United States.

RE DIS APPEARING
dir. Theresa Hak Kyung Cha, 1977
2:30 mins. United States.

SECRET SPILL
dir. Theresa Hak Kyung Cha, 1974
27 mins. United States.

VIDÉOÈME
dir. Theresa Hak Kyung Cha, 1976
4:42 mins. United States.

Total runtime 83 minutes.

SUJIN LEE is an artist currently living and working in Seoul, South Korea. She works with language in text, moving image, and performance. Lee’s work has been presented at Arko Art Center, Kumho Art Museum, Cake Gallery, Wumin Art Center in South Korea, the Bronx Museum of the Arts, Queens Museum, A.I.R. Gallery, Mandeville Gallery at Union College, NURTUREart, Brooklyn Arts Exchange, Small Editions in New York, US, and the Sergey Kuryokhin Modern Art Center in Saint Petersburg, Russia, among others. She participated in artist residencies, including the Millay Colony for the Arts, Blue Mountain Center, I-Park, Newark Museum, Zarya Center for Contemporary Art, and Artkommunalka. She is a recipient of the A.I.R. Gallery Fellowship (2012-2013), SeMA Emerging Artist & Curators Program grant (2016), and Wumin Art Award (2018).

JESSE CHUN is an artist working and living in New York. Chun’s work has been presented internationally at the Nam June Paik Art Center (South Korea); SculptureCenter, New York; the Drawing Center, New York; BAM, New York; Queens Museum, New York; the Vera List Center for Art and Politics, New York (United States); and the Museum of Contemporary Art Toronto (Canada), among others. Recent awards and fellowships include Art by Translation (Paris, 2022); Ballroom Marfa (Texas, 2021), and the Joan Mitchell Foundation Painters & Sculptors Grant (US, 2020).

From the mid-1970s until her death at age 31 in 1982, Korean-born artist THERESA HAK KYUNG CHA created a rich body of conceptual art that explored displacement and loss. Her works included artists’ books, mail art, performance, audio, video, film, and installation. Although grounded in French psychoanalytic film theory, her art is also informed by far-ranging cultural and symbolic references, from shamanism to Confucianism and Catholicism. Her collage-like book Dictée, which was published posthumously in 1982, is recognized as an influential investigation of identity in the context of history, ethnicity and gender.

Wendy’s Subway is a reading room, writing space, and independent publisher in Bushwick, Brooklyn. They support emerging artists and writers in making experimental, urgent work and create alternative modes for learning and thinking in community.

Founded in 1971, Electronic Arts Intermix (EAI) is a nonprofit arts organization that is a leading international resource for video and media art. A pioneering advocate for media art and artists, EAI’s core program is the distribution and preservation of a major collection of over 4,000 new and historical video works by artists. For 50 years, EAI has fostered the creation, exhibition, distribution and preservation of video art, and more recently, digital art projects.