NOIRVEMBER AT SPECTACLE – VI

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Noirvember returns for those who can’t kick the habit. This year’s slate takes a deep drag into the void through dreamlike backstreets (AKA cheapo lots), thickened studio fog, & quintessential location photography. We visit some of the most dissonant corners of the canon, the rough edges of the genre’s dimmest flickers, and explore what’s left when the last match burns out.

5pm – *** ******** ********

We open this season’s Noirvember with an ultra low-budget police-procedural that boasts some of the most impressive on-location photography of the era. Our opening selection is a lean and stylish film noir featuring a slew of non-actors in what feels like a time capsule.

630p – **** ***** * ********

Next up, a gloomy coming-of-age film noir disguised as a surrealist folktale. This vastly underrated film noir features photography from the genre’s greatest cameraman working as a gun for hire and features a small role for an accused communist turned Washington hostess.

8pm – *** ********** *****

This year’s prime-time slot goes to our favorite card-slinging auteur and features one of film noir’s greatest mugs in a transgressive tale of corruption and greed.10pm – *** * ***** *******

A deftly-paced romantic comedy disguised as film noir (or perhaps the reverse). Directed by one of the masters of the genre and featuring all the classic tropes, while light-hearted in spirit, this film is an absolute gem with excellent performances and character chemistry.

11:30pm – **** **** ********

We conclude this season of Noirvember with some late-night melancholy. Directed by character actor turned b-film auteur, this melodramatic chamber piece is a fitting late-night finale to sealed fates & waning embers.

CINEMA MARGINAL PIAUIENSE

In the 1970s, a collective of artists, journalists, filmmakers, and cultural agitators from Teresina transformed Super 8, then a domestic Kodak technology, into a language of avant garde cinema. Influenced by Tropicália, Brazilian cinema de invenção, Cinema Marginal Piauiense represents radical artists who had created films that challenged narrative codes and the repression of the dictatorship with freedom, humor, and critique.

Today this body of work is recognized as CINEMA MARGINAL PIAUIENSE, a symbol of an intense experience of experimentation, friendship, and rebellion that transformed the margins into a creative force.

In collaboration with Cinelimite. Special thanks to William Plotnick.

A DREAM IN PIAUÍ (Duration 102m)

The films of the Cinema Marginal Piauiense cycle are among the very first ever made in the state. Before the emergence of this group of filmmakers and artists, the idea of making cinema in Teresina was nothing more than a distant dream. The arrival of Super 8 cameras represented a true revolution, making not only filming but also the developing process much more accessible and democratic. With the support of Dr. Antônio Noronha in financing productions, the union of a group of rebels connected to counterculture and the arts, and the return in 1971 of the already famous Torquato Neto, poet, journalist, and Tropicalist lyricist, this dream began to turn into reality. Neto, whose presence brought legitimacy and inspiration to the movement, helped to drive this creative scene forward. Our opening session presents the pioneering works of this cycle. After the completion of O Terror da Vermelha (The Terror of Vermelha, 1972), many of the participants left Teresina in search of study and work, but the underground legacy remained and the seed of cinema had already been planted. This session traces that first moment of growth.

 

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SATURDAY, NOVEMBER 8 – 7 PM w/ Post-Screening debate with Brazilian experimental film scholar, Patrícia Mourão de Andrade
MONDAY, NOVEMBER 10 – 7:30 PM
THURSDAY, NOVEMBER 20 – 10 PM
MONDAY, NOVEMBER 24 – 10 PM

THE TERROR OF VERMELHA (O TERROR DA VERMELHA)

dir. Torquato Neto, 1972
Brazil, 24 min
In Portuguese with hardcoded English subtitles.

 

AN AMERICAN DREAM (UM SONHO AMERICANO)
dir. Arnaldo Albuquerque, 1973
Brazil, 4 min
In Portuguese with hardcoded English subtitles.

 

MOTHER’S HEART (CORAÇÃO MATERNO)
dir. Haroldo Barradas, 1974
Brazil, 15 min
In Portuguese with hardcoded English subtitles.

 

MISS DORA
dir. Edmar Oliveira, 1974
Brazil, 18 min
In Portuguese with hardcoded English subtitles.

 

FORJUSTNOW (PORENQUANTO)
dir. Carlos Galvão, 1973
Brazil, 15  min
In Portuguese with hardcoded English subtitles.

 

TUPY NIQUIM
dir. Xico Prereira, 1974
Brazil, 17 min
In Portuguese with hardcoded English subtitles.

 

LANDFILL (ATERRO)
dir. Dogno Içaiano, 1979
Brazil, 9 min
In Portuguese with hardcoded English subtitles.