SOCK SOCK: ANDY HECK BOYD 2013-2025

SUNDAY, MARCH 1 – 5 PM
SATURDAY, MARCH 14 – 10 PM
THURSDAY, MARCH 19 – 7:30 PM
MONDAY, MARCH 23 – 10 PM

TICKETS

Born in 1981 and currently residing in the mountains, outsider artist Andy Heck Boyd’s endless body of work is infected with a cozy cartoon deviancy; a sweet tooth tummy ache over Saturday pancake breakfast in bed.

Andy will try it all: paintings, puppets, Flash cartoons, collage, spoken word tapes, somnambulant bedroom recordings, chiptunes .wavs, poetry, sheet ghosts, party hats, orange juice, Korn, and (most importantly), film. Come and see what Andy likes to make! SOCK SOCK: ANDY HECK BOYD 2013 – 2025, this March at Spectacle.

here’s what’s on the box:

DOOM
2013. 2 min.

“a metal folding chair is on the loose!”

DUMB APE
2013. 3 min.

“puppy dogs and hand puppets!”

KORN: THE UNTOLD STORY
2013. 3 min.

“Jonathan likes to watch the TV because he likes the TV!”

MUCKA DOOZIE
2013. 10 min.

“lets go to Starbucks!”

SPEED FACE
2023. 6 min.

“he has to understand his face at 51 mph. If it goes over 66 mph, his face will explode!”

VACUUM CLEANER
2024. 10 min.

“a drifter is imposed!”

IT WILL
2024. 15 min.

“I love Jeopardy and Wheel of Fortune!”

DRACULA CITGO
2025. 7 min.

“needs more blood for the race car!”

I SAW A CAR
2025. 23 min.

“an angel is sent to Hell on a mission from God! (waka waka waka)”

URBAN SYMPHONY: A HUANG WEIKAI DIPTYCH

After 15 years of studying Chinese landscape painting, Guangdong-born documentarian Huang Weikai exchanged brush for DV in 2002; seeking to become a cartographer of truth through film and depict his precious Pearl River Delta as he truly saw it: explosive, deafening, filthy, and chaotically beautiful. This December, Spectacle is proud to host his essential diptych – FLOATING and DISORDER – twin visions of a society teeming with life and boiling over in its own acceleration

floating


FLOATING

(飘)
Dir. Huang Weikai, 2004.
China. 93 min.
In Mandarin with English subtitles.

SATURDAY, DECEMBER 6 – 5 PM
WEDNESDAY, DECEMBER 10 – 7:30 PM
TUESDAY, DECEMBER 16 – 7:30 PM
FRIDAY, DECEMBER 19 – 10 PM

TICKETS

Witness the transient, hand-to-mouth life of Yang Jiwei, a vagrant busker illegally performing in the cacophonous tiled underpasses of Guangzhou. Huang’s lens follows Yang as he dodges the authorities and navigates a tumultuous romance; all while life around him threatens to devolve into bureaucratic pandemonium.

disorder


DISORDER

(现实是过去的未来)
Dir. Huang Weikai, 2009.
China. 58 min.
In Mandarin with English subtitles.

THURSDAY, DECEMBER 4 – 7:30 PM
MONDAY, DECEMBER 8 – 10 PM
SUNDAY, DECEMBER 14 – 7:30 PM
TUESDAY, DECEMBER 16 – 10 PM

TICKETS

Guangzhou convulses in a grainy, black-and-white seizure, stitched together from a thousand hours of citizen-submitted amateur tape. A geyser erupts from a broken fire hydrant, a truck dumps pigs all across the highway, and casual mob violence unfolds into a waking nightmare.

Special Thanks to Icarus Films

1-800-HOT-DUCK VIDEO PARTY + UNDERGROUND MYSTERY FEATURE!

videoparty

1-800-HOT-DUCK VIDEO PARTY
90 min.

SATURDAY, NOVEMBER 1 – 10 PM (This event is $10) [TICKETS]

Here at Spectacle, Halloween is a state of mind, and that is especially true this weekend. In order to help us maintain the mischief, Philadelphia’s own Chrissy Marie Jones is rolling through town to bless us with the finest selection of offbeat psychosexual video eye-surgery that candy can buy. Join us on SATURDAY, NOVEMBER 1 at 10 PM for a super spooky Spectacle presentation of the 1-800-HOT-DUCK VIDEO PARTY! 

Before the show, don’t miss a super rare presentation of a 90’s UNDERGROUND MYSTERY FEATURE at 8 PM handpicked by Chrissy and Spectacle, just for you. Around here, the party doesn’t stop just because the calendar says so.

THE “MYSTERY UNDERGROUND FEATURE” IN QUESTION:

mystery


XXXXXXXXXX

Dir. XXXXX XXXXXX, 1995.
United States. 50 min.
In English.

SATURDAY, NOVEMBER 1 – 8 PM [TICKETS]

A BATTLE OF THE BANDS CONTEST TURNS DEADLY FOR THESE MAJOR METROPOLITAN MIDWEST PUNKS AND FREAKS!

I KNOW YOU’RE OUT THERE: LOVE, FEAR, AND ALIENS

For centuries, humanity has turned to the sky for answers; facing the clouds, begging for mercy, salvation, an answer. Let’s try it together! Wherever you are, look up at the sky. What do you see? A bird? A plane? A drone? A security camera? Or something else?

For truthseekers, the knowledge you crave is all around – if you know how to ask the right questions, that is. This September at Spectacle, we hope to provide a roadmap when it comes to all things Extraterrestrial. A Beginner’s Guide to asking the right questions: Will I find love? Will I find fear? Am I being manipulated? Can you really cut a chicken with a laser?

Only you can answer these questions for yourself. But Spectacle is here to help. Trust us 😉

astrangeharvest

A STRANGE HARVEST
Dir. Linda Moulton Howe. 1980.
United States. 58 min.
In English.

MONDAY, SEPTEMBER 1 – 10 PM [BUY TICKETS]
FRIDAY, SEPTEMBER 5 – 5 PM [BUY TICKETS]
TUESDAY, SEPTEMBER 9 – 7:30 PM [BUY TICKETS]
TUESDAY, SEPTEMBER 30 – 10 PM [BUY TICKETS]

Produced in 1980 by Emmy-winning environmental documentarian and former Miss Idaho Linda Moulton Howe, A STRANGE HARVEST examines multiple disturbing and unexplained incidents of cattle mutilation and their potential causes. This and future investigations into the phenomenon would change Linda’s life forever, starting her down the path towards disclosure advocacy and cementing her as one of the foremost voices in the world of UFOlogy.

WARNING: GRAPHIC IMAGES DEPICTED!

miragemen

MIRAGE MEN
Dir. John Lundberg. 2013.
United Kingdom. 85 min.
In English.

WEDNESDAY, SEPTEMBER 3 – 10 PM [BUY TICKETS]
FRIDAY, SEPTEMBER 5 – 7:30 PM [BUY TICKETS]
TUESDAY, SEPTEMBER 16 – 10 PM [BUY TICKETS]
SATURDAY, SEPTEMBER 20 – MIDNIGHT [BUY TICKETS]

MIRAGE MEN follows the case of Paul Bennewitz, an engineer and UFO researcher driven to madness by U.S. Airforce Intelligence Operative, Disinfo Agent, and possible Lizard Person Richard Doty and the swirly, murky machinations of United States Deep Intelligence. MIRAGE MEN is a must-see for all true believers and anyone holding even a small window into our alternate reality. “Question Everything” means exactly that: Believe Nothing. You are not immune to propaganda and manipulation. Nothing around you is what it seems. Nothing.

loveandsaucers

LOVE & SAUCERS
Dir. Brad Abrahams. 2017.
Canada/United States. 67 min.
In English.

SATURDAY, SEPTEMBER 6 – 10 PM [BUY TICKETS]
MONDAY, SEPTEMBER 8 – 10 PM [BUY TICKETS]
SUNDAY, SEPTEMBER 21 – 7:30 PM [BUY TICKETS]
TUESDAY, SEPTEMBER 30 – 7:30 PM w/ Q&A (This event is $10) [BUY TICKETS]

For as long as he can remember, completely sane New Jersey based artist David Huggins has been visited by beings from another world. However, these Close Encounters really emphasize the closeness; David is being used as a human stud in an off-world breeding program with his alien wife Crescent, with whom he has sired at least 50 alien-human hybrids. As any good artist would, David has chosen to document his experiences through the power of the paintbrush. LOVE & SAUCERS offers a strangely breathtaking peek into Huggin’s out of this world lifestyle to anyone who chooses to believe.

Join us at Spectacle for a Q&A with director Brad Abrahams on September 30 at 7:30 PM!

thealienreport

THE ALIEN REPORT
Dir. Patrick Donnelly. 2022.
United States. 81 min.
In English.

THURSDAY, SEPTEMBER 4 – 10 PM [BUY TICKETS]
SATURDAY, SEPTEMBER 6 – MIDNIGHT [BUY TICKETS]
THURSDAY, SEPTEMBER 18 – 10 PM [BUY TICKETS]
TUESDAY, SEPTEMBER 23 – 7:30 PM [BUY TICKETS]

A man tormented by a lifetime of alien abductions discovers an ingenious way to document and share his encounters. The result is THE ALIEN REPORT, one of the most acclaimed and mind-meltingly terrifying found footage films of the decade.

WARNING: STROBES AND FLASHING LIGHTS!



VICK & TARSTAR’S SCARECROW FACTORY

VICK & TARSTAR’S SCARECROW FACTORY
Dir. Brewce Longo. 2025.
United States. 90 min.
In English.

TUESDAY, AUGUST 12 – 7:30 PM* w/Q&A (This event is $10)
WEDNESAY, AUGUST 20 – 10 PM

SPECIAL EVENT TICKETS

GENERAL ADMISSION  TICKETS

They’re baaaack!!

From the team that brought you BUSTED BABIES, COVEN OF THE BLACK CUBE, and A CORPSE FOR CHRISTMAS comes an all new Experience in Mumblegore. It’s…

VICK & TARSTAR’S SCARECROW FACTORY!

Filmmakers and best friends Vick & Tarstar must juggle life, art, relationships, sex, drugs, sickness, homelessness, and madness in spades as they and their crew of Philly punks race to to finish the new avant-garde trashterpiece SCARECROWED on-time and on-budget! VICK & TARSTAR’S SCARECROW FACTORY is metatextual candy corn goo pile that’s just as much Ryan Trecartin as it is Joe Swanberg. Hilarious, thoughtful, and just fuckin’ out there! You’ll love your new Scarecrow Haircut.

Join us at Spectacle on TUESDAY, AUGUST 12 at 7:30 PM for the New York City premiere of the latest film from Blood Sick Productions, VICK & TARSTAR’S SCARECROW FACTORY – and be sure to stick around for an extra special roadshow Q&A with “Vick”, “Tarstar”, and actress Tina Krause after the show!

Featuring appearances from: Erin Caywood, Nicole Elyse, Gaby Bogdanoff, Josh Christensen, Steven Reifsteck, Slink Skull, Elise Brady, Del Worshim, Hugh Gallagher, Michael DiFrancesco, X Menzak, Tina Krause, Nicholas DeGideo, and David “The Rock” Nelson!

Written by Brewce Longo and Kasper Meltedhair. Directed by Brewce Longo.

THE SPECTACLE BEACH EPISODE: ANIME NO GOGO SELECTS

The Beach Episode: a tried and true anime trope. Exhausted from their adventures, our heroes decide to make a detour into paradise, hoping to find some time to cool off, take a dip, and feel the sand between their toes. Sadly, we here at Spectacle cannot offer sandy shores or sea breezes. The city won’t let us. The best we can do is pick out two of the most mind-altering anime flicks you still haven’t seen and crank the AC real, real hard; and if you insist on taking your shoes off – we can’t really stop you.

This summer, the party is at Spectacle. No invite required. Always $5.

 

As part of our refreshment menu, we are offering these two ice cold works of wonder:

THE FLYING LUNA CLIPPER
(ザ・フライング・ルナクリッパー)
Dir. Ikko Ohno. 1987.
Japan. 55 min.
In English and Japanese with English Subtitles.

SATURDAY, JULY 5 – 7:30 PM
TUESDAY, JULY 8 – 10 PM
FRIDAY, JULY 18 – MIDNIGHT
TUESDAY, JULY 22 – 10 PM

TICKETS

Throughout the 1980s, the highly versatile range of MSX home computers were taking Japan by storm. Their ease of use made them perfect for the education sector, whereas their graphic and sound hardware made them ideal for gaming and artistry. One such artist was the enigmatic Ikko Ohno, a graphic designer and columnist working for MSX Magazine. His unmistakable and playful trop-pop art covers (made on MSX computers) can be found across the catalog. During this time, Ohno began working on a movie which could further showcase his own art while also demonstrating the full, untapped potential of MSX computing.

Released onto the local home video market before quickly falling into obscurity, it would be almost 30 years until a rogue Laserdisc copy of Ohno’s art project was discovered in a Japanese thrift store by journalist Matt Hawkins, who would eventually unleash what is thought to be one of the strangest experimental pieces of animation ever made – THE FLYING LUNA CLIPPER, which has gone on to influence artists, musicians, and game creators the world over.

Laying somewhere in the sands between video game and video art, THE FLYING LUNA CLIPPER is a tranquil and tropical hazy daydreamy tale of vacationing snowmen, magnificent sea-planes, and dancing banana ladies. The island vibes are undeniable, and must be seen to be believed.

Screening alongside:

NAGISA NO PEPPY
(渚のペピー)
1987.
Japan. 2 min.

TAMALA 2010: A PUNK CAT IN SPACE
(タマラ 2010 ア パンク キャット イン スペース)
Dir. t.o.L. 2002.
Japan. 92 min.
Japanese with English Subtitles.

SATURDAY, JULY 5 – 5 PM
TUESDAY, JULY 15 – 7 PM
SUNDAY, JULY 20 – 5 PM
WEDNESDAY, JULY 30 – 10 PM

TICKETS

Mickey Mouse. Astro Boy. Betty Boop. Hello Kitty. Tamala. Wait – you don’t know Tamala? She’s only the most important kitty cat in Meguro City,  no – on all of Cat Earth! Her face is everywhere. You can’t escape it. It’s almost creepy… Anyway!

TAMALA 2010: A PUNK CAT IN SPACE is the story of our titular Tamala (don’t call her Tam). Despite her cute looks, Tamala is no baby. She smokes, she drinks, she curses, she starts fires, she struts ass. Certainly not appropriate behaviour for the corporate face of CATTY & CO. Feeling stifled by her overbearing human mother and a general sense of ennui, Tamala decides to steal a rocketship and hightail it off the planet Aye Es Aye Pee. With her boyfriend Michaelangelo (don’t call him Moimoi) by her side, the two work to uncover the mysteries of Tamala’s real family, her true nature, and her shocking purpose in the universe.

Funded and conceived by the mysterious Shibuya-kei group t.o.L. (aka Trees of Life, about which little is known) and aided by the animator Kentaro Nemoto, TAMALA 2010: A PUNK CAT IN SPACE is a Pynchonesque, cutting-edge black & white fusion of the 2nd and 3rd dimension with a razor-sharp critique of Japanese Kawaii culture and the dystopian Post-War consumerist idolatry that drives it to this very day.

Special Thanks to Deaf Crocodile

MAN WITH A MOVIE CAMERA (2025) (1929 VERSION)

MAN WITH A MOVIE CAMERA (2025) (1929 VERSION)
Dirs. Tanner D. Masseth, Blake Robbins, Jay Villalobos, Jose Perez, Hank Allen, Breeding Castle, Melissa Cha, Crisis Acting, Dana Dawud, Kayla Drzewicki, Gavin DuBois, Andrea Florens, Janelle Howerton, Levels of Nuance, Emma Murray, Progga, Abbey Pusz, Redacted Cut, Max Rooney, Paranoia State, Twee Whistler, Elijah Valter, Brian Wiebe, Esteban Alarcón, Dziga Vertov. 2025.
United States/Soviet Union/Canada/Palestine/Australia/Argentina/Scotland/Bangladesh. 68 min.
No Dialogue.

SUNDAY, JUNE 1 – 7:30 PM w/Q&A (this event is $10)
SUNDAY, JUNE 1 – 10 PM w/Q&A (this event is $10)

SPECIAL EVENT TICKETS

In the 1920s, a movement of like-minded filmmakers known as The Kinoks sought to distance film from its stagebound origins and to completely remake the language of cinema, an art form still in its infancy. Basing their methods in Documentary film, the collective pioneered and invented numerous techniques we take for granted today including the double exposure, the dutch angle, stop motion, split cuts, and the extreme close-up. Helmed by director and theorist Dziga Vertov, The effort of The Kinoks would culminate in the experimental masterpiece MAN WITH A MOVIE CAMERA; now known worldwide as one of the most important pieces of film in cinema history.

Fast forward a century and a new international group of artists and filmmakers in the same spirit of Vertov and The Kinoks seek to reassert the question for the brain rot generation: “Do you understand me?”

Utilizing a special multi-channel display reminiscent of the splitscreen sensory overload of current short-form consumable entertainment, MAN WITH A MOVIE CAMERA (2025) combines a series of new visual documentary languages in order to explore their unexpected beauty and cinematic potential, including: anime fetish content, AI porn slop, Getty stock images, Instagram hyperfilters, screenlife, surveillance feeds, unboxing videos, Temu garbage, doom scrolling, Google Street View, Black Friday stampedes, Wikileaks, software renders, lifestyle vlogs, ancient emoticons, Times Square GoPro stunts, sexdoll matrimony, VR ecstasy, stolen Xiaohongshu memetics, political rioting, 3D printed pollution, Minecraft Letsplays, Crypto pump and dumps, endless streaming libraries, manned drones, seedy Russian gambling sites, 4chan, mukbang, homemade cybernetics, and Telegram war leaks. A new type of film for the Family Guy Funny Moments world.

Join us at Spectacle on June 1st, 7:30 PM for the New York City premiere of this one-in-a-lifetime cinematic experience – including the debut of a special 4-panel presentation featuring the original 1929 documentary. A film within a film within a film within a film.

Followed by an in-person Q&A with contributing filmmakers Tanner Masseth, Blake Robbins, Janelle Howerton, Progga, Breeding Castle, Melissa Cha, Hank Allen, Emma Murray, Max Rooney, Jake Calvin, John Calvin, and Kayla Drzewicki.

Soundtrack by Snakehouse + Silk Screen + Mooncloud (Massive Scrolls).

a

HalluCinoGeNnN: TWO FILMS FROM ANDREY ISKANOV

Artist and actor Andrey Iskanov was born in 1976 in the climatically brutal Russian town of Khabarovsk, 20 miles from the Chinese border. There he cut his teeth in medicine, where his love of photography developed into an award-winning career in advertising and filmmaking. His fascination with the human body no doubt influenced his HalluCinoGeNnN series, some of the most brain-bending psychedelic industrial horror from Russia’s Extreme East.

This March, join us for a mind-melting presentation of two HalluCinoGeNnN titles: cyberpunk freakout thriller NAILS and VISIONS OF SUFFERING, a truly soul-crushing exercise in pain and ecstasy. Only at Spectacle!

NAILS
(ГВОЗДИ)
Dir. Andrey Iskanov, 2003
Russia, 62 min
In Russian with English subs

MONDAY, MARCH 3 – 10 PM
FRIDAY, MARCH 14 – MIDNIGHT
SUNDAY, MARCH 23 – 7:30 PM
SATURDAY, MARCH 29 – MIDNIGHT

TICKETS

Experiencing increasingly agonizing headaches and frightening voices, an unnamed hitman turns to the only relief he hasn’t tried: hammering nine-inch nails into his skull. His self-trepanation colorizes his black-and-white Siberian world, causing vivid hallucinations and torturous waking nightmares. Fighting tooth and nail for his sanity, our hero soon learns that the only way out of Hell is through.

Iskanov’s directorial debut and the beginning of the HalluCinoGeNnN series, NAILS is one tight-n-tense cerebral hell ride, THE MATRIX for edgy self-surgery enthusiasts or TETSUO: THE IRON MAN with a lobotomy.

VISIONS OF SUFFERING (FINAL DIRECTOR’S CUT)
(ГВИДЕНИЯ УЖАСОВ)
Dir. Andrey Iskanov, 2006
Russia, 85 min
In Russian with English subs

SATURDAY, MARCH 8 – MIDNIGHT
THURSDAY, MARCH 13 – 10 PM
WEDNESDAY, MARCH 19 – 10 PM
FRIDAY, MARCH 28 – MIDNIGHT

TICKETS

A man experiencing disturbing phone calls receives a visit from a Don-Quixote-quoting telephone repairman. His arrival shatters the barrier between reality and nightmare, unleashing a series of vampires, succubi, and demonic forces into existence.

The second film in the HalluCinoGeNnN series, VISIONS OF SUFFERING is the experimental art horror equivalent of falling victim to a gas leak while also becoming a victim of fashion inside an abandoned Hot Topic. Originally released as a two-hour cut in 2006 and reconstituted in 2016, Iskanov’s final director’s cut boosts the ick factor into the stratosphere while completely reimagining Hell on Earth. Don’t eat beforehand.

WARNING: EXPLICIT VIOLENCE, UNSIMULATED SEX, AND CADAVERS THROUGHOUT! YOU HAVE BEEN WARNED!

ANTI-VALENTINES: THE EARTH IS A SINFUL SONG

THE EARTH IS A SINFUL SONG
(MAA ON SYNTINEN LAULU)
aka THE LAND OF OUR ANCESTORS
Dir. Rauni Mollberg, 1973
Finland, 108 min
In Finnish with English subtitles

WARNING: GRAPHIC DEPICTIONS OF LIVE ANIMAL VIOLENCE AND DEATH

SATURDAY, FEBRUARY 8 – 10 PM
WEDNESDAY, FEBRUARY 12 – 7:30 PM
SUNDAY, FEBRUARY 16 – 5 PM
FRIDAY, FEBRUARY 21 – MIDNIGHT

TICKETS

AN ARCHAIC WORLD OF SEX, DEATH, VIOLENCE, AND RELIGIOUS MADNESS

Spectacle is proud to present rare screenings of EARTH IS A SINFUL SONG, virtually unknown outside its native Finland, as part of our annual ANTI-VALENTINES February program.

In the breathtaking remote wilds of northern Finland, 19-year-old Martta Mäkelä lays about naked, ignoring the harsh realities of life in her village of Siskonranta. Her world is turned upside-down when she falls in love with Oula, a wandering reindeer herder. Their erotic explorations lead to pregnancy, igniting the village’s scorn and a religious backlash. As Martta transitions from girlhood to womanhood, the story also captures a year in the life of Siskonranta and its inhabitants, highlighting the beautiful warmth of blossoming, bloody young sexuality against the earthy, unforgiving cold of 1940s postwar Lapland.

Based on the novel of the same name by controversial Finnish author Timo K. Mukka and helmed by famous television director Rauni Mollberg, EARTH IS A SINFUL SONG was produced under extreme conditions during Finland’s “darkest period of cinema.” At a time when few Finnish movies found success, it was the country’s submission for Best Foreign Language Film at the 46th Academy Awards, and it eventually became one of the best-selling titles in Finnish film history.

Special thanks to Eira Mollberg, Timo Kinnunen, Tommi Partanen, the National Audiovisual Institute (KAVI), and the Finnish Film Archive for their blessings, provisions, and assistance.

THE BEST OF ME

THE BEST OF ME
Dir. Heather Landsman, 2024
United States, 89 min
In English

THURSDAY, FEBRUARY 6 – 10 PM
SATURDAY, FEBRUARY 15 – 7:30 PM w/Q&A (this event is $10)
SATURDAY, FEBRUARY 22 – MIDNIGHT

TICKETS

SPECIAL EVENT TICKETS

“Oddly enough, people get interested in a person like that. That would be the only reason why anyone would sit through dozens and dozens of hours of unedited home diaries.” – Ricardo López

In 1993, living in suburban Atlanta and working as an exterminator, young and alienated Ricardo López developed an all-consuming love for Icelandic experimental pop musician Björk. Over the next three years, López’s fixation would result in hundreds of diary entries, dozens of hours of home video footage, an assassination plot, and his eventual death by his own hand. Director Heather Landsman has crafted an eye-opening portrait of obsession taken to the edge. Landsman will be present for a post-screening Q&A following the Feb. 15th screening.

Special thanks to Sylvie Shamlian. Poster by Cris Hernandez.